Jon Secada explores his life’s journey – from his boyhood in Cuba and Spain to making it in the music industry in the United States as a young man – in his memoir, Jon Secada: A New Day.

Jon Secada’s New Memoir

Before Secada became a heavyweight in the music industry, he was a child growing up in Cuba with little musical ambition, whose father was being kept as a political prisoner. For years, the greatest goal that he and his family had was to find a way to leave Cuba and make their way to the U.S.

“We tried to come to the states directly, but that was impossible at the moment unless you had someone to claim you in the states,” Secada explained to uInterview exclusively. “So there were countries that accepted Cuban immigrants and refugees, Spain being one of them, so we chose Spain. We went to Spain and were there for close to two years. It was wonderful – the fact that the Spanish government accepted all these Cuban refugees, and for us, our first initial way out of Cuban seeking our dreams.”

Once they made it to the United States, Jon, then aged 15, and Secada finally experienced the push he needed to commit himself to cultivate his natural talent.

“I knew that I could sing; I always felt that I could sing, but never did anything about it. I was a really shy kid, very introverted all through my childhood and early teens,” Secada revealed. “But in high school, I got the courage to want to be part of the high school music program and audition for a play that was going on at the time. Once I got it into my system, the passion of music, there was no turning back for me and I started music formally.”

Check Out Jon Secada’s uBio HERE

Secada went on to score an introduction to music mogul Emilio Estefan when he was looking for new talent to bring with him when he started his production company in earnest. While working with Estefan, Secada made the acquaintance of singer Gloria Estefan, with whom he had a somewhat contentious, sibling-like relationship.

“Gloria was like a big sister to me. She always has been and was back then. I guess in retrospect I appreciate that. Even though, at the time, I didn’t like what she was trying to do,” Secada said. “I was in the middle of a lot of things that were part of my growing process as an artist. She was seeing it and she was in the middle of it. She was kind of on the sidelines keeping tabs and wanted to make sure that my head was straight in her own way. I appreciate that, I really do.”

Jon Secada: A New Day is currently available in bookstores and online.

Leave a comment

Read more about:

Q: Hi Jon, congratulations on your new book! In your book you tell us about your childhood growing up in Cuba. Tell us a little about that. -

From what I remember: I’m an only child, I was raised an only child. I have vague memories; in the 60s my father was a political prisoner in Cuba. I remember my mother and my parents trying to, after he got out of prison, to try to find a way to leave Cuba legally at that time, with what they considered the legal process at that time. That it was what we did after for a long time. We tried to come to the states directly, but that was impossible at the moment unless you had someone to claim you in the states. So there were countries that accepted Cuban immigrants and refugees, Spain being one of them, so we chose Spain. We went to Spain and were there for close to two years. It was wonderful, the fact that the Spanish government accepted all these Cuban refugees and for us our first initial way out of Cuban seeking our dreams.

Q: Tell us a little about how you first got into singing. -

I didn’t get into singing until I was here in the states. I was already close to being 15 years old. I knew that I could sing; I always felt that I could sing, but never did anything about it. I was a really shy kid, very introverted all through my childhood and early teens. But in high school, I got the courage to want to be part of the high school music program and audition for a play that was going on at the time. Once I got it into my system, the passion of music, there was no turning back for me and I started music formally.

Q: So, after you moved to Miami, you met music mogul Emilio Estefan. Tell us about that first encounter with him. -

My first meeting with Emilio was an amazing meeting. I knew what he was all about. Gloria was on the up and up as a recording artist. I knew about him already because of guys in the band that were working with him that I went to college with. I was kind of known locally, for a little bit at the time. He was looking to represent new talent. He was at the beginning process of his production company, kind of growing and going to the next level. He called me and wanted to see where my head was at. He was such a go-getter from the very first meeting. I talk about that detail of what that first meeting represented to me. He was somebody who had so much vision, such a strong will, and so confident. That’s something that really stuck to me. At the same time, I talked to a friend of mine who was in the band, asked him what should I expect from meeting with Emilio. He says, “You gotta take everything he says with a grain of salt. If that works for you, so be it. If you can get out it, what you think you’ll be able to really make it work for your career.” I knew this guy had the confidence and the drive to make things happen, for himself as an entrepreneur, and for me as a recording artist, producer and songwriter.

Q: How did Gloria Estefan mentor you in the first years of your singing career? -

Gloria was like a big sister to me. She always has been and was back then. I guess in retrospect I appreciate that. Even though, at the time, I didn’t like what she was trying to do. I was in with a lot of growing pains. In light of what was happening with my career, my relationships, everything that was going on inside me. I wasn’t realizing exactly what it is, all these feelings that I wasn’t ready to tackle. But I was in the middle of a lot of things that were part of my growing process as an artist. She was seeing it and she was in the middle of it. She was kind of on the sidelines keeping tabs and wanted to make sure that my head was straight in her own way. I appreciate that, I really do.