Missouri-born singer-songwriter Chappell Roan stole the show again. Her set at Lollapalooza drew one of the largest crowds in the festival’s two-decade history, filling Chicago’s Hutchinson Field and stretching all the way to Buckingham Fountain.
Roan made a striking entrance, donning face paint reminiscent of David Bowie and a pink and blue luchador mask. As she confidently walked through the crowd, the stage was transformed into a pro wrestling arena, complete with a ring. Aerial photos revealed the extent of her draw, showing fans packed from the south main stage through Grant Park and across Balbo Avenue.
The crowd’s excitement was palpable as they roared louder than the opening chords of “Femininomenon.” Roan, embracing her emerging identity as a “Queer Pop Superstar,” created a space of inclusivity and celebration. Her performance resonated deeply, proving that when everyone is welcomed, no one wants to leave.
The energy hit a peak during “Hot to Go!” The entire park participated in a coordinated dance, their arms spelling out the song’s title in a scene reminiscent of the classic “YMCA.” For her final song, “Pink Pony Club,” Roan could have stepped back entirely as the crowd sang along word for word.
The synergy between Roan and her band elevated the performance, making it not just a concert but an experience. This ensured that Roan’s Lollapalooza set would be a talked-about highlight for a long time.
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