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Broadway’s ‘How To Dance In Ohio’ Brings Autism’s Reality To The Stage

Broadway has seen a surge in stage adaptations of popular movies in recent years, driven by the desire to attract tourists and capitalize on recognizable titles. A notable recent musical adaptation of the relatively unknown 2015 HBO documentary How to Dance in Ohio, about a group of autistic young adults, has stuck out.

Alexandra Shiva‘s documentary How to Dance in Ohio, which can currently be streamed on Max, chronicles the journey of these young adults as they prepare for a spring formal dance and work to enhance their social skills and establish independence. Now, with the real-life story brought to the stage, Madison Kopec (who plays Marideth) explained, “Parts have been embellished for dramatic purposes. You have to spice things up in Ohio.”

Similar to the documentary, the stage adaptation, directed by Sammi Cannold, focuses on a future spring formal dance, organized by group counselor Dr. Amigo, played by Caesar Samayoa. The play delves into the larger issues faced by the dancers as they navigate the challenges of growing up. Tommy, portrayed by Conor Tague, strives to pass his driver’s test, while Liam Pearce‘s character, Drew, contemplates whether or not to move away from home for college. Amelia Fei‘s Caroline must engage in conversation with a stranger, and in a particularly tense moment, Imani Russell‘s Mel tackles unexpected tasks while she works at a pet store.

All seven actors are autistic and give performances nothing short of fantastic.

Ashley Wool brings Jessica’s passion for dragons to life with fiery energy, while Desmond Luis Edwards embodies pure joy as the cosplay-obsessed Remy. It is a particularly painful moment when Remy breaks down in tears in Act Two due to insensitive journalism. His powerful song, “Nothing at All,” resonates deeply as he expresses his weariness with ableist clichés and the desire to be seen for who he truly is. Pierce delivers a standout performance as he excels in a comedic moment with an email and shines in two of the musical’s most powerful numbers.

The main conflict in the second act revolves around Dr. Amigo inadvertently stealing the spotlight from his clients.

How to Dance in Ohio has minimal staging and few costume changes until the climactic dance itself. The moments that do hit the mark — when young adults confront their fears, navigate unfamiliar situations, and celebrate life — leave a profound impact. Despite their misgivings, these heartfelt moments resonate with both neurotypical and neurodivergent audiences.

How to Dance in Ohio is now playing at Broadway’s Belasco Theatre (111 West 44th Street, New York, New York). Get tickets here.

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Baila Eve Zisman

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