Moonrise Kingdom

06/04/2012

It’s been five years since Wes Anderson’s last live-action movie, and at no other time has his legacy and influence been so apparent than during his absence. The likes of Richard Ayoade’s Submarine attempted to grapple with the sartorial significance of coming-of-age, and the likes of Diablo Cody and Anderson’s own partner-in-crime, Noah Baumbach, have taken up the mantle of quotable angst and deadpan introspection, respectively.